Friday, 11 January 2013

Written statement

First of all in my proposal/pitch I broke down the brief into four main points as a reference I could easily remember in my head what the design should achieve these four points were: 'A striking cover design, imaginative concept, a strong use of typography and eye catching'.

I am going to write how I think my design has achieved these four points.

To begin with I feel my design is definitely a striking cover design. It has avoided the existing cliche designs of having a friendly atmosphere with all four characters happy in a field next to a river. Mine is pretty much the opposite in that it is focused on a dark phase of the book where mole is lost in the woods and ratty s looking for him, mole looks scared and lost on the front book cover, surrounded by darkness and evil eyes glaring him. It gives this horrifying mood across, it makes you look at the cover and think oh what could possibly be in those woods. It gives mystery to it. Unlike the other covers where there's not really anything questionable going on in the cover. My art style of how I have done my trees, in a curved 2d pointy style to give that spooky and sophisticated look, makes the cover look striking.

The penguin brief wanted an imaginative concept which I think my design comfortably fits with this point, there's no other book cover for The Wind in the Willows like mine, mine is themed on a dark side of the book whereas every other is on a happy side. My cover emphasizes this by the range of dark colors filling the book, with dark gradients giving that edgy look, if the cover was plain block colors then it wouldn't give that as edgy look than what gradients give. The time the cover is set is at night which automatically gives a spooky mood. The element about my cover which I think compliments this main point is the footsteps from mole which follows through from the back cover to the front cover. The footsteps fade gradually from the front to the back to show that the foot steps are getting older and older. These footsteps are like what strings the front cover and back cover together, it is the main focal point of the book because they are the tracks for ratty to follow to find mole, so without these footsteps there wouldn't really be a story or scene in this cover. The front and back cover wouldn't have an as strong design as there wouldn't be as much relation between them.

I'm very satisfied with my typography on the book cover I think it is very strong and again comfortable fits the brief. First of all before I chose what type face I wanted I already had a feel of what I wanted the book cover to communicate to the audience, I wanted a spooky and dark mood. The type face was so important to fit this as it is what the audience are going to be looking at first when looking to buy the book in a book shop. So I had to consider, was the font clear to read? did it fit the design/theme? Did it stand out? and I feel strong that my font achieved this. My typeface looks spooky and the serif on the font suits well with how I designed the trees. How I laid out the type with having 'The' much smaller sitting on the 'W' of 'Wind' and then having ' in the' in the same size sitting on top of each other on the right of 'Wind' then having 'Willows' in the same size as 'Wind' sitting underneath it gave a nice look, it looked dynamic and symmetrical. It was still clear to read and the color of it being black and on the white/grey snow stands out and contrasted nicely. My secondary typeface I took a lot of consideration choosing, I wanted it to match the primary typeface as much as possible, and after a lot of research the one I chose I was very content with. I think it matches very well, it looks spooky but not as emphasized and is clear to read as a small piece of text on the blurb.

Lastly the final point was 'eye catching' I think if my book cover was on a bookshelf with others around it, it would be eye catching. The colors stand out a lot, and nice contrasting on one another, night scenes stand out more from a daytime scenes because they are less common, just like mine. I think people would look at it and think 'oh, thats strange for wind in the willows' and will take more notice and consideration of it. The evil eyes glaring from the surroundings draw your eye to see whats going on, and the falling snow and snowflakes give that little charm to the book which makes the artwork look more pleasing to the eye, book covers are all about audience and satisfying the eye to the customer and overall I am happy with how I have think I have matched this.

Tuesday, 8 January 2013

Branding guidelines

In this project part of the brief is creating branding guidelines. I have never heard of these before and have no knowledge on them what so ever. I will research what they are, why companies use them and what to include in them to help gain an understanding what I can include in mine.

What are branding guidelines?
Branding guidelines are like a set of rules of what to do and not do when designing something for the brand. It is displayed as like a visual booklet displaying information. It summarises what the brand stands for.

Why do companies create branding guidelines? 
They make a set of branding guidelines to strictly set out rules so the company maintains a consistent identity across all marketing channels. So designers can get a good feel of the brand, understand the tone of voice so their work has a higher chance of being more efficient for the brand.

What is included in branding guidelines?

  • The brand summary, short description of the brand and their message as a company. 
  • Logos, the logo has to be clarified what you can and cant do when using the brand logo. such as size variations, kerning between letters, colour, font, character styles etc.
  • Examples of what you can and cant do to demonstrate the rule
  • Spacing around elements. For example at least a 5mm space around the logo at all times.
  • Colours, A palette should always be included giving the hex number and other information n each colour, it should say what the colour is used for.
  • Fonts, defining the typeface is essential. Providing font size, line height, spacing, colours and what font is for what purpose (title & body)
  • Tone of voice, this is what the brands style is summarised in this projects case it going to be my art style, giving a clear summarisation of the brands art style is key to keeping consistency. 
How I am going to aproach my guidelines?
I have looked at some examples of branding guidelines to get a more clear idea what I am going to put in mine. I am going to set my branding guidelines so it has a nice smooth consistent layout and design throughout. Using less text on screen as possible. 

My plan for what content is going on what page for my branding guidelines is going to be:

1. Title, screen saying branding guidelines with my name on
2. A summary saying what my project is about, making a design for the penguin competition which is a book cover and poster.
3. Contents
4. Show the puffin logo, and saying it cant be manipulated, giving examples of what you cant do
5. Show the colour pallet, defining the hex decimals and where the colour is used in my design
6. Font, primary font saying what type face, size, spacing around letters, colours.
7. font, this time for secondary font.
8. My art style, defining it giving examples of my illustrations.

Simple colour scheme, white with black text throughout. Clear and consistent layout.

Tuesday, 4 December 2012

Feedback from pitch

Today I pitched my idea to the class and it went very well. I got all positive comments from the class. The comments where from what I can remember where

' I like the idea of the footsteps, the link between both the covers is cool'

'The font I had chosen suits the design very well'

The feedback from George was:

'I like the way you put the brief into 4 main points, its a good way of remembering it importantly'

'I really like the design, if you pull it off it can look extremely good'

'Its good that you spent a lot of time choosing your type face and your matching body text font face'

'I like the image you are using to replicate your image, its really good'

'Im glad your pushing yourself in this project'.

To conclude this, Im really happy with my feedback. I feel I can just get straight into making it now without worrying about elements I've designed. Its going to be hard to make but I'm confident in my ability I can pull it off, this is my biggest challenge yet out of all my designing projects I have ever done. But its going to help me very well as a designer, my illustrator skills by the end of it should be improved very greatly. Im looking forward to making it.

Monday, 26 November 2012

Style I am using


My drawing style is going to be very similar to this image I have found after researching quite a bit to find something that my style is going to be like. Its not going to be like the heavy detailed hand draw style most wind in the willows book covers are like its going to be like in-inbetween hand drawn and blocky style. So it will still be detailed from the different lighting, toning, shadows on the cover. This includes different layers of trees, for example the ones at the front will be lighter than ones behind it. The tree will have toning on it like the ones in this image, its not too detailed I like the balance it brings. 
This avoids the cliche and also challenges me for my illustrator drawing skills which I like the thought of. I have decided I will do all my drawings in illustrator. Then bring the characters into to photoshop to add potential textures then export them as a jpeg so they become a bitmap image then bring them back into indesign aswell as the illustrator draw book cover. The snow on the ground will be texture to look like real snow in the same style so it wont be too detailed, I have had a thought about creating snow fall but I'm not sure. This idea I am going to leave at the end to see if it looks better with snow falling in it or not.

Trees


My tree style is going to be very similar to this one, its not too thick and not too thin. Again meeting my satisfaction of right balance, the branches are going to be curvy, pointy but not too emphasised so they look razor sharp just enough to look like a real tree like this one. Not lots and lots of branches coming off each other too.

The trees in the background are going to be scaled down of the ones at the front so it doesn't come off my balance, but this image I can use as a guide to create my trees, maybe live tracing it could be better but I am going to try draw all my trees from scratch.




Characters

*Draw up the characters in illustrator put images here*





Colour pallet

My colour theme has to be dark, cold and spooky. A spooky forest is not going to be bright and colourful so my colours will be dark such as navy blues, blacks, dark browns. It is winter during the scene so there will be which means white must be involved. The characters clothes will be bright which will make them the focal point with the emphasis of contrast in colours.

Here are some pallets illustrating the colours I will be using.








The darkness in-between the trees will have a really dark blue colour.








The trees are going to be a very dark brown, close to black but to brown enough to identify it is brown. I had big thought wether to have pure black silhouette trees but I think that just make the book look to much as if it was a horror book when its not.








Snow on the ground and on some of the branches has to be white. The text is going to be white swell which will contrast well on the dark background.








The evil eyes with in the trees surrounding mole are going to be bright yellow, I didnt pick red because I think that again is over the top. Red is a powerful colour; yellow makes it less like it is a horror book and still conveys that scary atmosphere. It will stand out heavily on the dark trees.








Moles clothes; hes going to have a green body warmer with a red jumper on underneath and either orange or blue jeans. I don't want the colours too vibrant as I want to keep it quite dark but still bright.









Rattys clothes on the back cover; hes going to have a big brown crosshatched coat with a brown hunters hat on. He's going to have black tight leggings on and green boots.

Friday, 23 November 2012

Typeface

For my heading I want it to fit the theme of spookyness, it has to be readable and striking as the brief says. Here are some type faces I have found up which I will chose from for the heading.









I think this one is too over the top for spooky, it will make the book look like a horror genre book when its not.






This one I like because of the emphasised parts of the letters, I would remove the curly pattern on each side though if i used this one.








This one I like a lot, the curly parts look like floral which suits my forest background design, the serif of it symbolises that the book is an old story and it looks quite spooky at the same time.










I really like this font cause of how edgy it looks, it goes well with the spooky forest and looks old which again shows the story is old.









This font has good potential but I'm not keen at all on the slight italic style to it.







This font is nice and curvy but I think it it is a bit too square.






I like this font, it is thorny looking which suits the forest theme of the book cover, the serif on this font is nicely emphasized into a curvy flick which looks like branches of a tree.





This font is very wiggly and spooky, I think its too over the top for me on the emphasis.

The font I have decided to use for the heading is the Narnia font. I shortlisted my decision to 4 fonts then type them all out on illustrator to have a proper in depth review and I chose Narnia because I think it fits my theme perfectly, it looks spooky, its not too over the top. The serif is nicely emphasised not too much and not too little.


I like how it is all in caps too, which relates to the brief of adding a more striking element to the book cover.

Now for my body text such as the blurb, ' Kenneth Grahame' and 'Introduced by Brian Jacques'.

From looking at existing Wind and the Willows book covers, the other text on the book is normally similar to the main heading but a little more formal. Here are a list of potential fonts what I will chose from.







This type face I think relates to the Narnia font, it has that nice emphasis on the serif as well. I like the different in widths on the x and y bases. The only problem is that the text is all in caps so I don't think it could work as body text.






This type is nice, it is easily readable, the serif again matches the Narnia font. The different in widths on the letters again makes me like this font.





This font I really like, the serif is really pointy what suits the theme really well. It is readable, goes well with the pointy Narnia font. Definite favourite.




I really like this font cause of the style, it looks old and neat at the same time. I think the serifs are better on the other fonts though.





This type is nice, but the serif is too square and thick. I prefer the pointy serif to fit more with the theme.






This type really fits the bill too, the serif is smoothy emphasised to my satisfaction, its pointy and spooky looking, theres no different in widths on the letters which downfalls compared to the parmapetit font.




This font matches everything I want as well, its going to be hard to chose between this one, parmapetit and chartrand.


I have shortlisted the fonts down to these three, this is what they look like with some text to have a more in depth look.

Parmapetit









Chartrand
Charpentier


Looking at these, I think Parmapetit is the font I am going to use. I really like the emphasis on curves and serif which made me make the decision on this font, it relates well to the Narnia font. It goes well with the spooky theme and relation to an old book.

Tuesday, 20 November 2012

Proposal


Proposal
I have decided I want my final choice to be of the scene of the wild wood with rat looking for the scared and lost mole. The scene is scary with evil eyes coming out of the trees glaring at mole in the cold snowy conditions.

The brief also states that the design must be 
  • 'a striking cover design'
  •  'imaginative concept'
  • 'a strong use of typography'
  • 'eye catching' 
I have really focused on these four points as i think they are the most important factors of the brief to answer. As wind in the willows has so many book covers already and the majority are the same sort o thing I want to take my design away from the cliche. This is why I have chosen this creepy scene from the book, no one from what i have researched has made a cover on this scene, it brings out an alternative message of the book whereas the others bring out the happy peaceful aspect mine is bringing out a scary mysterious message. My cover will still convey the message of friendship because i'm having rat searching for mole on the cover what symbolises friendship.

This design I think can answer those 4 points because of the experimentation I can have with colours, the cold dark colours will make it striking, the imaginative concept is that my design is from a scene no one has done before and is giving an alternative message. The typography will be strong in a way that it is going to be dynamic, not a simple serif or sans serif font. It will go with the spooky theme. Eye catching, I think the evil eyes glaring in the background will make audience interested, the book will look adventurous which is another main factor of the book.